Next year we are planning some "training"
course, everything is voluntary, but if you want to participate in the conversations court, the Cour de Cassel, then you should qualify for this offer and participate.
are above all cultural things at the center, art, music, literature and philosophy.
I have for now 12 lessons worked in music, so for each month of the year a lesson.
education are more blocks in other areas will follow.
The sense of the whole thing is, all members of the court and also like the other readers, a door to the music of the 17th and 18 century to open and to give orientation.
Each lesson is divided into 3 blocks: instrumental music, opera and sacred music.
The whole is divided not chronologically but according to accessibility and it depends a bit on the season - who can already hear Bach's Christmas Oratorio in the summer?
is also so the Opportunity that is parallel experience in the cities of one or the other work to live.
Each month there will be introductions to the works, as in the following list of recommended recordings called me.
also because there is no compulsion to adhere to it, it is nothing more than a recommendation. What
target of the selection?
Here is a broad spectrum of music from the 17 and 18 Century are treated, which can be overcome, even for newcomers, and hopefully a broad overview of this complex era offers and arouses the enthusiasm for this music.
After that you should be prepared on your own to the music of the time discover.
Like any canon, this basically challenged - but I am convinced that this works both the advanced and the novice alike interested and pleased to be offering plenty to talk about our conversations.
In any case, many style-works are the historical IMENS music are important.
It's simply the music of the 17th and 18 Century in its many forms is a little getting to know. Therefore, I will
no discussion about the meaning of the canon but a conversation about the selected works - that are, in my opinion also for musical literacy of the court society.
The 12 lessons before I hereby:
LECTIO I: December / January
first Georg Friedrich Handel: Water Music [Le Concert des Nations - Savall]
Musicke for the Royal Fireworks [Le Concert des Nations - Savall]
Concerti Grossi Op.6 [The Handel & Haydn Society - Hogwood]
second Wolfgang Amadeus Mozart: The Magic Flute (1791)
[Les Arts Florissants - W. Christie]
3. Georg Friedrich Handel: Messiah
[Inglese The Concert - T. Pinnock]
LECTIO II: Februar
1. Antonio Vivaldi: The Four Seasons [La Petite Bande - S. Kuijken]
Arcangelo Corelli: Concerti Grossi Op.6 [Ensemble 415 - Banchini]
2. Christoph Willibald Gluck: Orfeo ed Euridice (1762) [M. Chance - Tafelmusik - F. Bernius]
3. Johann Sebastian Bach: Ich hatte viel Kantare BWV 21 Bekümmernis
[La Chapelle Royale - P. Herreweghe]
Giovanni Battista Pergolesi: Stabat Mater
[Les Talens Lyriques - C. Rousset]
Georg Friedrich Handel: Dixit Dominus
[Academy of Ancient Music Berlin]
LECTIO III: March
first Johann Sebastian Bach: The 6 Brandenburg Concertos
[Concerto Italiano - Alessandrini]
Johann Sebastian Bach: The Goldberg Variations
[Gustav Leonhardt]
second Georg Friedrich Handel: Giulio Cesare in Egitto (1724) [Les Musiciens du Louvre - M. Minkowski]
3. Wolfgang Amadeus Mozart: Requiem in d-moll
[La Grande Ecurie and the Chambre du Roy - JCMalgoire]
Dietrich Buxtehude: Jesu nostri Membra
[Cantus Cölln - K. Junghänel]
LECTIO IV: April
1. Wolfgang Amadeus Mozart: 38,39,40 & 41 Sinfonien
[Freiburg Baroque Orchestra - R. Jacobs]
2. Jean Philippe Rameau: Les Indes Galantes (1735) [Les Arts Florissants - W. Christie (DVD)]
third Johann Sebastian Bach: St. Matthew Passion
[La Chapelle Royale - P. Herreweghe]
LECTIO V: May
1.Heinrich Ignaz Franz von Biber: The Rosary Sonatas [John Holloway]
second Francesco Cavalli: La Calisto (1652) [Concerto Vocale - R. Jacobs (DVD)]
third Marc Antoine Charpentier: Te Deum [Les Arts Florissants - W. Christie]
Jean Baptiste Lully: Te Deum [Orchestre de Chambre – Paillard]
LECTIO VI: Juni
1. Georg Philipp Telemann: Die Tafelmusik
[Musica Antiqua Köln – R.Goebel]
2. Jean Baptiste Lully: ARMIDE (1686) [La Chapelle Royale & Collegium Vocale – Herreweghe]
3. Alessandro Scarlatti: Il primo omicidio
[Akademie für Alte Musik Berlin – R.Jacobs]
LECTIO VII: Juli
1. William Lawes: Consort Suites [Fretwork]
Matthew Locke: Consort of Fower Parts [Hesperion XX - J. Savall]
2. Henry Purcell: King Arthur (1691) [The Concert Spirituel - Niquet (DVD)] [Les Arts Florissants - W. Christie (CD)]
3. Claudio Monteverdi: Vespers of the Blessed Virgin
[Concerto Vocale - R. Jacobs]
LECTIO VIII: August
1. T. Albinoni: Concerti Op.9 [The Academy of Ancient Music - Hogwood]
2. Francesco Cavalli: ERCOLE AMANTE (1662)
[Concerto Köln – I.Bolton (DVD)]
3. Heinrich Ignaz Franz von Biber: Missa Salisburgensis
[The Gabrieli Consort & Players + Musica Antiqua Köln – R.Goebel]
LECTIO IX: September
1. Joseph Haydn: The London Sinfonies No.92 - 104
Sinfonie No.92 ‚Oxford’ [Freiburger Barockorchester – R.Jacobs]
Sinfonie No.93 [Orchestra of the Age of Enlightenment – Brüggen]
Sinfonie No.94 ‘Surprise’ [The Academy of Ancient Music – Hogwood]
Sinfonie No.95 [The Hanover Band –Goodman]
Sonfonie No.96 ‘Miracle’ [The Academy of Ancient Music – Hogwood]
Sinfonie No.97 [Orchestra of the Age of Enlightenment – Brüggen]
Sinfonie No.98 [Orchestra of the Age of Enlightenment – Brüggen]
Sinfonie No.99 [Orchestra of the Age of Enlightenment – Brüggen]
Sinfonie No.100 ‘Militär’ [Orchestra of the Age of Enlightenment – Brüggen]
Symphony No.101 'Die Uhr' [The Breakfast Band - Kuijken]
Symphony No.102 [La Petite Bande - Kuijken]
Symphony No.103 'Paukenwirbel [La Petite Bande - Kuijken]
Symphony No.104 'Solomon' [La Petite Bande - Kuijken]
2. Wolfgang Amadeus Mozart: Idomeneo, Re di Creta (1781) [Français Baroque Soloists & The Monteverdi Choir - JEGardiner]
3. Joseph Haydn: Die Schöpfung
[The Academy of Ancient Music - Hogwood C.]
LECTIO X: Oktober
1. Francois Couperin: Concerts Royaux [Le Concert des Nations - Savall]
Marin Marais: Suite for a taste of foreign [Savall]
2. Claudio Monteverdi: L'Orfeo (1607)
[Concerto Italiano - Alessandrini]
3. Heinrich Schütz: Musikalische Exequien
[Français Baroque Soloists & The Monteverdi Choir - JEGardiner]
LECTIO XI: November
1.Joseph Haydn: Op.76 Streichquartette
Quartet Op.76 No.1 in G-Dur
Quartet Op.76 No.2 in d-moll 'Quinten Quartet'
Quartet Op.76 No.3 in C-Dur 'Kaiser Quartett'
Quartet Op.76 No.4 in B-Dur 'Soleil levant'
Quartet Op.76 No.5 in D-Dur Op.77 No.6
Quartett in Es-Dur
[ Quatuor Festetics]
2. Wolfgang Amadeus Mozart: THE MARRIAGE OF FIGARO (1786) [Concerto Koln - R. Jacobs]
3. Johann Adolf Hasse: Missa in g-moll last
[Saxoniae Virtuosi - Ludwig Güttler]
lectio XII Dezember
1.Wolfgang Amadeus Mozart: Clavierkonzerte
Concerto No.9 in Es-Dur KV 271
[Bilson - The English Baroque Soloists - JEGardiner]
Concerto No.20 in d-Moll KV 466
[Anima Eterna - Jos van Immerseel]
Concerto No.21 in C-Dur KV 467
[Anima Eterna - Jos van Immerseel]
Concerto No.22 in Es-Dur KV 482
[R. Levin - The Academy of Ancient Music - Hogwood]
Concerto No.23 in A-Dur KV 488
[R. Levin - The Academy of Ancient Music - Hogwood]
second Johann Adolf Hasse: Cleofide (1731)
[Capella Coloniensis - W. Christie]
third Johann Sebastian Bach: Christmas Oratorio
[Munich Bach Ensemble & Choir - Karl Richter]
who, during these or after the lessons of the fascination of Baroque opera has been infected,
is the yes of the courtly internal guide for ballets and operas available, which simplifies the further discovery.
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